Vials: Moon Vessel November 20, 2016 19:35
I'm starting another series I'm calling Vials. I want to continue to make use of my interest in painting landscapes, only as background. But I'm going to venture into using a lot more symbolism from the occult and from alchemy. I haven't done much with symbols since I left off doing abstracts based on the Golden Dawn color scales. But the symbols of alchemy and magic were the main things that drew me to those paths in the first place, and I want to make them a major part of my art, incorporating them with my interest in natural forms.
I started with Moon, one of my favorite things to paint. I got the background pretty much just as I wanted--a fairly calm sea at night (because Water is a Moon Element). This landscape doesn't have enough interest, to my mind, to stand on its own, but its ace when I use it as a background for other things, I think. I've been realizing this more and more--my interest in landscape is not powerful enough to stand on its own. But as backgrounds for other things, they work well.
You can see the lines I drew to divide the painting. I've been using Faber Castell pastel pencils for drawing on my paintings, because they wipe off easily with a damp paper towel. I divided the painting into thirds because I wanted to feature three objects in it: a crab (which is a classic Moon critter, see the tarot trump of the Moon), a bottle with the moon inside it, and a luna moth.
I wasn't sure I could depict the bottle well enough, even though I had decided beforehand that I want all the paintings in this series to include a bottle of some kind (thus "Vials," even though a lot of them won't be actual vials). But I decided that I had examined enough Dutch still lifes to understand how to paint a bottle and that I should just jump in and try it. So that's what I did.
I found a number of reference images of antique bottles online but finally settled on an imaginary bottle because none of them were exactly the right shape. So once I got the moon painted, which was simple enough--a circle drawn around a hot plate and painted in with a number of layers of titanium--I drew the bottle and then painted it. I was surprised that it came out fine. Highlights are a combination of zinc and then titanium over that.
Next up was the luna moth, which was actually much easier than I thought, although I want to mess around a bit more with making the body look furry. I did find that, as I suspected, I could not mix a good pale green for it using the yellows in my palette--yellow ochre or azo yellow. So I used a new color I bought to use for sunlight, titanate yellow, with just a titch of anthraquinone blue and some titanium. Bingo! I got this far over the weekend and hope to do the crab in the next couple of days. A chose the blue crab as my model crab.