Oil painting November 3, 2021 12:26

I've been doing watercolors exclusively for quite a while but began to miss oils, despite their inconveniences and because I still felt weird about using a lead-manganese drier in my paints to hurry them up. Then I came across mention of the King in Yellow in a horror novel I was reading, "Southern Gods" by John Horner Jacobs, who named a madness-causing bluesman Ramblin' John Hastur (Hastur being the King's other name). This reminded me of reading about the King in Yellow when I was a teenager and read the collection by Robert W. Chambers of the same name and then came across this name in various stories part of the Cthulhu Mythos. I always thought this was a scary figure, described with no more than a line about the tattered scalloped edges of his yellow silk robe..We are told that a play with the same name caused its audience to go mad in the second act.  And I got a hankering to paint him.

I asked my friends on Facebook what did they favor for this task? Almost all recommended oils. Okay.

The King in Yellow abstract oil painting by Harold Roth

I had a lot of brush cleaning to do, since it had been so long since I'd used my oil paints that the oil in the brushes had hardened. I had to clean them oil by soaking them in orange solvent and then scrubbing them with mild soap. Whew! But once I started, the painting just flowed. I was surprised.

I had to take a break to do a project with a deadline, which I will be posting about this weekend or early next week, but when I finished that, I immediately went to finish the King painting. I'm happy with it. 

Meanwhile, I had been working on a watercolor still life that had taken me a couple of weeks already. I still haven't finished that. Not much is left to do. I had anticipated doing a series of still lifes, but having dipped back into oil painting, I remembered how much more forgiving it is than watercolors. Yes, oils are smelly, messy, have an involved cleanup, and there is the drying issue, which has been big for me because there are a lot of components of traditional oil painting that I can't tolerate. 

One of them has been lead, and I posted before about using a lead-manganese drier, Siccatif de Courtrai. I had this product for a few  years before I actually used it, gingerly, and then I got hooked on it. There were a couple of things I noticed about this stuff. While it didn't always work as quickly as I'd like, I actually didn't mind the smell. I realized it must have some refined turpentine in it, not the cheap stuff I had smelled in the past. Also, using the drier meant, for some reason, I no longer smelled the oxidizing oil. Maybe there is some chemical reason for that, but I don't know what it is. All I know is that having the window cracked a bit makes it so I can paint with this stuff no problem and the speedier drying has been a game-changer for me. So much so that I bought some "English distilled turpenting," which is supposed to be the best quality turpentine and less anoying than its cheaper siblings. I haven't tried it yet. I look forward to it.